MARCO GASTINI
1996The difficulties of reading seems to find an immediate solution in the title; in reality, the evident distance which separates the image created by the artist from the words through which he himself names it, deviates afterwards the comprehension.
« For a possible portrait of Mick Jagger… » is mainly a work on imagination, in which the title assumes an almost imperative sense.
Therefore, the artist realizes a displacement of the image from its place of origin (or supposed so because of its weak « visibility ») to the person of the spectator.
In fact, he does not say « Portrait of… » intending the image for the centre of the work, but, « for a possible portrait… » and through such a request, the point of view shifts towards the bility to imaginate.